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Over 100 artists from Iowa, Illinois, Wisconsin, Indiana, Michigan, Minnesota, South Dakota, California and Arizona will take over the plaza and surrounding streets with a variety of handmade creations. From paintings, clay, wood and glass to jewelry, photography, fiber and sculptures, a wide variety of one-of-a-kind items will be available for purchase.
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Students in kindergarten through grade 12 are invited to create an artwork that displays their love of the Figge and what the museum means to them. The winning works will be featured in the i ♥ Figge exhibition on view June 6-Septmeber 13, 2015. Submissions not selected to be hung in the exhibition will still be shown digitally in a slide show accompanying the exhibition.
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“The tour allows us to build a relationship between objects in our collection and visitors,” said Raelene Pullen, director of development. “We’ve worked to create a breadth of objects from different collections, so there’s something for everyone to call into.”
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As a direct reflection of the range of medium taught in the Studio Arts program, the pieces and installations on display will include works of paint, sculpture, inter-media, mixed-media, metal arts, photography, 3-dementional design and graphic design. This year, works by the fellows of the Grant Wood Colony will also be included.
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As evidenced by stylish set designs of the popular AMC series Mad Men, Danish furniture design played a major role in American interior décor during the 1950s and ’60s, where it was perfectly at home in the glass and steel skyscrapers of Manhattan and the ubiquitous pastel painted, single-level ranch homes of suburbia.
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Chefs from 10 Quad-City area restaurants will set up in the lobby of the museum from 5:30-8 p.m. where they will cook Cajun-inspired dishes for guests to sample. Participating chefs from the Figge, Machine Shed, Crow Valley Country Club, Sippi's, Johnny's Italian Steakhouse, Paddle Wheel, Thunder Bay, Gramma's Kitchen, The J Bar and Zek'es Island Cafe will show off their culinary skills and entice guests with their delicious creations.
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A native of Japan and longtime resident of Washington D.C., Yamaguchi creates organic, web-like sculptures from nets of wire and resin forms cast from dried curls of potatoes, onion ends, leaves and seed pods found in nature. She scours the neighboring woods and local grocery stores in search of these aesthetically pleasing forms that she dries and cuts up until they bear only a passing resemblance to their former selves. She then creates a silicon rubber mold from the material she collects and mixes liquid resin with color dye, which she then pours into the mold.
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Each year in the United States there are nearly 150,000 minors as young as 10 years old booked into confinement facilities for reasons ranging from truancy to violent crime. Many have histories of abuse, abandonment and addiction. Over the past eight years, Ross has traveled to juvenile detention facilities across the country, photographing young prisoners and recording their stories. The result is large-scale photographs which focus on the young people Ross has encountered, accompanied by their own personal stories.
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Local artist Rose Frantzen’s nationally celebrated Portrait of Maquoketa, a multi-panel artwork, has been acquired by the Figge Art Museum and will officially be part of the permanent collection beginning in early 2015.
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Self-Taught Genius: Treasures from the American Folk Art Museum features 115 artworks made between the early 18th and 21st centuries, ranging from portraits and needleworks to wooden shop figures and found-object sculptures. All are the compelling, beautifully realized work of self-taught artists which provide a fresh perspective on artistic impulse and our national charac
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The Figge frequently partners with colleges and universities in the region to engage students with projects, such as the College Invitational exhibition, College Night, brown bag lunches with visiting artists, classes in the studios and intern and volunteer opportunities. The college art professors are the unsung partners in these projects.
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“Much of the beauty of a turned work of art depends on chance and is an accident of nature. A wood turner not only creates, but uncovers qualities inherent in the wood such as the grain patterns, cracks, worm holes and variations in hue,” said Figge Curator Rima Girnius.
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O’Neill will be constructing a temporary woodturning lathe made of cast concrete that he will use to create a large-scale turned wood sculpture. The raw material will be a locally sourced tree trunk provided by the Davenport city arborist.
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The exhibit showcases the passion, courage and talent of cancer survivors and patients within a 150-mile radius of the Quad Cities who use art as a way to reflect on and celebrate survival.
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The Figge Art Museum has received a major gift of $500,000 from the estate of Ruth Evelyn Katz gifted by son Marty Katz of Moline in honor of his late parents Isador and Ruth Evelyn Katz and his late sister Judith Katz.
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